lunes, 5 de junio de 2017


Como muchos otros héroes Pulp, el personaje abandona su periodo original en los años 30 para probar con una versión en el presente, lo cual ya ha sucedido varias veces en su carrera.

For the better part of a century, the Shadow’s sinister laughter brought the chill of fear to evil-doers – but in our modern times, the streets of Manhattan have gone largely silent. But he is not forgotten. Not by the people he’s saved. Mary Jerez, is one of those people.

The Shadow saved her from a horrifying school shooting – Mary knows all too well what evil lurks in the hearts of men. So when a horribly burnt man – incredibly strong and fierce, despite these terrible injuries- arrives under her care as a resident at the hospital – she believes she knows who he is, too. Is this mysterious man actually the Shadow – and with Mary’s help, will evil-doers again know what it means to fear his terrible justice?

Si Spurrier, el guionista, habla así del personaje:

For me – and I suspect for most comics creators – The Shadow is an irresistible property. The hat and scarf, the cold eyes and colder laugh, the wisp of cordite and the flourish of a cape: all plucked wholesale from the noir pulps and radio plays of the 1930’s. You don’t say “no” to a true primogenitor like that. On the taxonomical chart of Western comics he’s a common ancestor for a sizeable chunk of the marketplace.

Every street vigilante, every masked crime-fighter, every necessary monster: he’s in the DNA of them all. A living fossil, a coelacanth or goblin-shark for the comics world, swimming in waters of ice and ink. And like all perfectly engineered things he endures – he flourishes – amidst newer, cockier, less perfect specimens.

What I most love about the Shadow is, like all good legends, he tells us even more about the present than the past. In this new story I’m dragging the legend into the modern world, with all its melting-pot problems and changing attitudes. 

This isn’t the world the Shadow was born into, with its pinstripe gangsters and mystic monsters (although we’ll be visiting that one too).

Instead our main story unravels in a world of corruptions and petty politics, prejudices and hate. A world with a frightening new regime taking control. 

A world where true power lies not with those who hold the reins, but with those who control the story. How can two guns and a devil’s stare fight the 21st Century?

En PULP FACTION sabemos que acecha en el corazón de los malvados...

1 comentario:

BRIN LONDO dijo...

No viene al caso pero

ya tienen en hollywood excusa para la version actual cinematografica ,que sera mas barato de rodar que ambientado en los 30.

por cierto
creo que soy el unico tio que le gusta THE SHADOW con Alec Baldwin(por entonces menudo Bruce Wayne mas cojonudo hubiera sido)